Search Results for Les os de mouton

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Item No. 1147

Pair of exceptional Louis XVI period fauteuils

In solid carved mahogany with giltwood accents, the front aprons inspired by the designs of Georges Jacob, the armrests adorned with mufles de lion (lion masks) in the manner of Jacob Frères (Georges Jacob's sons), and having unusual tapered and sprial-fluted back sabre legs.

Late 18th century.

36½" high by 23½" wide

Item No. 1208

French, Regence period, petite commode

In solid, carved walnut with original Rouge Royale marble top. Circa 1735 from Ile de France. Stamped "Fromageau".

32" wide

Item No. 1204

French, Regence period, Provencal two-drawer commode (sauteuse)

Crème painted with rouge accents. With pierced bottom apron; the whole resting upon four cabriole legs terminating in pied de sabots. Circa 1725, from Aix en Provence.

46" wide by 35" high by 25" deep

Item No. 1202

French, Louis XV period, bureau de pente

In palissandre de Rio (Brazilian rosewood) with bronze d'ore mounts, the whole resting upon cabriole legs terminating in bronze sabot feet. Slant front opens to reveal a leather writing surface and five drawers. Circa 1750.

Attributed to Jean Lapie.

Provenance: Sold Sotheby's, NY, November 11, 2000, Lot 171

39½" wide by 38" high by 17½" deep

Item No. 1201

French, Baroque Period embroidered needlework panel

Probably depicting Saint Cyr, within a Regence style giltwood frame. Late 17th or early 18th century.

Provenance: Collection de la Tour d'Argent, Paris.

40" high by 37" wide

Item No. 1193

French, Regence period tabouret

In solid, carved giltwood with pied de biche ("deer feet"). Covered with 18th centry tapestry. Circa 1725.

Provenance: Gallery Perrin (Paris)

9¾" high by 22½" wide by 19¼" deep

Item No. 1188

19th century allegorical bronze entitled "La Genie du Travail" (The Genius of Work)

Signed "E. Picault" (Émile Louis Picault).

Picault's work can be seen in museums in Chambéry (Le Semeur d'idées), Clermont-Ferrand (Hébé), Maubeuge (Le devoir, Honor patria), and Troyes (La famille, joies et peines).

22" high

Item No. 1183

French, Art Nouveau period encoignure (corner cabinet)

In solid, carved walnut inset with embossed leather panels. The central, conforming door opening to reveal three interior shelves. Ecole De Nancy, circa 1900.

Item No. 1175

Set of twelve French, Neoclassical style dining chairs

Painted and parcel gilded. Richly sculpted in a guilloché pattern resting upon tapered and fluted legs. 19th century.

A similar example is currently on display at Muse´e des Arts De´coratifs in Paris.

37" high by 20" wide by 18½" deep

Item No. 1174

Exceptional, French, Art Nouveau period bureau plat

In solid, carved walnut; with five conforming drawers; have writing surface inset with decorative, gilt-embossed leather blotter, each side with tirets (additional pull out writing surfaces), the whole delicately sculpted with flowers and other vegetation and resting upon four slightly cabriole legs. Circa: 1890, L'ecole de Nancy.

Item No. 1169

Pair of French, Louis XIV period torcheres

In solid carved natural wood. The upper elements vigorously carved with acanthus leaves, the central columns, triangular in form, pierced and adorned with male masks, the whole resting on a tripod base having sculpted leaves, volutes and lambrequins. Circa 1670.

Provenance:

Sale in Versailles, Palais des Congres, Commissaire-Priseur Jean-Paul Chapelle, March 3, 1968-acquired by Georges Hereil, Paris.
1981: The estate of Georges Hereil, by descent to GG.

66" high

Item No. 1167

Large, Important, French cache pot

Manufactured by the royal porcelain maker, Sèvres, in painted and gilded porcelain with gilt bronze mounts for the last French King, Louis Phillippe (r. 1830-1848).

The interior bears two stamps, the first having the King's monogram (LP) and the date (1844), and the other bearing the mark for "Château des tuileries", the royal residence where the piece was to be displayed.

14" in diameter by 12" high

Item No. 1166

French, Louis XV style, marquetry-inlaid bureau de pente

Inlaid with a combination of exotic woods, including walnut, Brazilian rosewood, satinwood, and birdseye maple; having a fall-front, which opens to reveal a writing surface and interior drawers; the whole resting upon four cabriole legs with bronze d'ore ornament.

In the manner of Hache (Grenoble, France). 19th century.

38¾" wide by 34¼" tall by 19½" deep

Item No. 1153

French, Neoclassical style lamp

In gilt bronze and patinated bronze with a winged putto (cherub) holding two candelabra above a square plinth base elaborately cast in bronze d'ore.

Attributed to Henri Picard, who was established in Paris, 6 rue Jarente from 1831 to 1839 and then 10 rue de la Perle from 1840 to 1864. Picard worked on Emperor Napoleon III’s apartments at the Louvre Palace.

Second half of the 19th century.

23" high by 13" diameter

Item No. 1137

French, Louis XV style correspondence box

Embossed and gilt tooled leather ornamented in fleur de lis motif having a metal clasp. 19th century.

12¼" high by 7" wide by 7" deep

Item No. 979

Fine, Louis XV style tric-trac table

In solid, carved walnut having cabriole legs ending in pied de biche (deer feet) and reversable top, one side (shown) with marquetry inlaid board for checkers, the other in green felt suitable for card playing. Removing the top reveals an inset, marquetry-inlaid backgammon board. The whole delicately carved. Late 18th or early 19th century from Nimes, France.

Item No. 1128

Pair of French, Louis XV style canapés

In solid, carved giltwood. One of the period (mid-18th century), the other later (19th century). Each having six legs elegantly carved with shells, acanthus leaves, and pomegranates.

Created for le Château de Dampierre, a castle in Dampierre-en-Yvelines, in the Vallée de Chevreuse, France.

45" wide by 35" high

Item No. 1123

Louis XV period console

In solid, carved beechwood with original rouge de Languedoc marble top. Mid-18th century.

55" wide by 24" deep by 33¾" high

Item No. 1108

Egyptian, Ptolemaic Period, polychrome-painted wood sarcophagus panel

Brightly painted in ochre, red and black with Nut in profile to the right, wearing a tightly-fitting dress, broad collar and bracelets, a fillet across her forehead with a frontal lotus flower, sun disc above her head, lotus buds and flowers sprouting on either side of her feet and a bunch before her torso.

As a divinity responsible for renewing the sun each day by swallowing the setting sun, Ra, each evening and giving birth to him by her womb in the morning, Nut was regarded as suitable imagery for the underside of the lid of sarcophagi, as this associated the deceased with re-enacting the journey of the Ra between heaven and earth. For further, see I. Shaw and P. Nicholson, British Museum Dictionary of Ancient Egypt, London, 1995, pp.207-208.

Circa 332-30 B.C.

Provenance:

Private collection, San Francisco.
Anonymous sale; Bonhams & Butterfields, San Francisco, 29 October 2007, lot 1390.
with Royal-Athena Galleries, New York (Art of the Ancient World, 2009, no.188).

Published:

M. Merrony (ed.), Mougins Museum of Classical Art, Mougins, 2011, p.49, fig.34.

Exhibited:

Mougins, Musée d'Art Classique de Mougins, June 2011-2018.
Musée d'Art Classique de Mougins, France, acquired from the above.

43¾" high

Item No. 838

Italian, Rococo period, walnut console

With wooden top painted to resemble marble and legs terminating in pied de sabots. From Naples. Mid-18th century.

60" wide by 35" high by 26½" deep