Antique Painted Furniture

Page one of five
French, Regence period, Provencal two-drawer commode (sauteuse)
Item No. 1204
French, Regence period, Provencal two-drawer commode (sauteuse)

Crème painted with rouge accents. With pierced bottom apron; the whole resting upon four cabriole legs terminating in pied de sabots. Circa 1725, from Aix en Provence.

46" wide by 35" high by 25" deep
Pair of Napoleon III period firescreens
Item No. 1200
Pair of Napoleon III period firescreens

Paintings of birds and landscapes on opaline glass inset in gilt brass frames.

Circa 1870 by celebrated artist Narcisse Vivien (signed "NV").

38½" high by 26" wide by 17" deep (at base)
Pair of Louis XVI, Ormolu-Mounted, Carved, Painted and Parcel-Gilt, Velvet Upholstered Fauteuils à la Reine
Item No. 1195
Pair of Louis XVI, Ormolu-Mounted, Carved, Painted and Parcel-Gilt, Velvet Upholstered Fauteuils à la Reine

One with the initials 'M G' in white paint; both with illegible names in pencil on the inside of the chair rail.

39¾" high (18½" at seat) by 26½" wide by 27" deep
Fine, English Regency tilt-top table
Item No. 1190
Fine, English Regency tilt-top table

In faux painted specimen marble, mahogany, and parcel-gilt. On tripod base.

Circa 1815.

Formerly with Mallett Antiques.

28½" high by 35" diameter
Exceptional, Venetian, Rococo period, Lacca Povera commode scriban
Item No. 1185
Exceptional, Venetian, Rococo period, Lacca Povera commode scriban

The rectangular top above the slant-front, opening to a writing surface with a central pigeonhole flanked by four short drawers, above the serpentine-fronted body with two long drawers, the paneled sides, raised on cabriole legs.

Lacca Povera (also known as "Lacca Contrafatta") was a form of art originating in Venice incorporating decoupage (the cutting out of figural or natural forms), which are adhered to a solid surface, painted and hand-engraved, and then covered with a layer of layer of lacquer.

Mid-18th century.

50" wide by 43" high by 22¾" deep
Set of four Art Nouveau period lithographs on fabric
Item No. 1121
Set of four Art Nouveau period lithographs on fabric

Depicting The Four Seasons. Signed by Czechoslovakian artist Alphonse Mucha. First Series. Circa 1896.

37" high by 21" wide
Set of twelve French, Neoclassical style dining chairs
Item No. 1175
Set of twelve French, Neoclassical style dining chairs

Painted and parcel gilded. Richly sculpted in a guilloché pattern resting upon tapered and fluted legs. 19th century.

A similar example is currently on display at Muse´e des Arts De´coratifs in Paris.

37" high by 20" wide by 18½" deep
Portuguese, Baroque period, blue and white painted tile (azulejos) mural
Item No. 1172
Portuguese, Baroque period, blue and white painted tile (azulejos) mural

Featuring the God Neptune in his carriage holding a trident in his right hand while being pulled through the sea. Circa: 1710-1720.

59" wide by 29½" high
Pair of French, Faience, covered jars (pilgrim flasks)
Item No. 1170
Pair of French, Faience, covered jars (pilgrim flasks)

Each one depicting cherubs blowing horns and riding fantastical beasts on a blue background. The sides flanked by rams head masks. Nevers, France. 19th century.

Signed: Antoine Montagnon

12¾" high
Large, Important, French cache pot
Item No. 1167
Large, Important, French cache pot

Manufactured by the royal porcelain maker, Sèvres, in painted and gilded porcelain with gilt bronze mounts for the last French King, Louis Phillippe (r. 1830-1848).

The interior bears two stamps, the first having the King's monogram (LP) and the date (1844), and the other bearing the mark for "Château des tuileries", the royal residence where the piece was to be displayed.

14" in diameter by 12" high
Pair of Italian, Neoclassical period Torcheres
Item No. 1163
Pair of Italian, Neoclassical period Torcheres

Painted and parcel-gilded adorned with acanthus leaves, ram's heads, pateraes, and garlands, resting upon claw feet. Circa 1810-1815.

64" high by 13" diameter
Pair of Northern Italian, Neoclassical period, blue-painted and parcel-gilded bergeres
Item No. 1161
Pair of Northern Italian, Neoclassical period, blue-painted and parcel-gilded bergeres

Each having a gondola back, bacchic mask, and upholstered in a blue silk brocade. Late 18th century.

39" high (at the back) by 26" wide by 24" deep
English, George III period cane settee
Item No. 1138
English, George III period cane settee

With curved ends and three seats, each seat having a circular cane-back panel inset with a hand-painted medallion, the whole resting upon elegantly-tapered legs and painted in bellflowers. Late 18th century.

72" wide by 28" deep by 35" high
Italian, Neoclassical period, painted and parcel-gilt chest of drawers
Item No. 1155
Italian, Neoclassical period, painted and parcel-gilt chest of drawers

Having two small drawers above two large drawers. Late 18th century.

36" high by 45¾" wide by 21¾" deep
Directoire period fan and conforming giltwood frame
Item No. 1136
Directoire period fan and conforming giltwood frame

Paper painted in the "Gouache" technique with gilded accents. Circa 1790.

26½" wide by 16" wide
Pair of Venetian, Rococo period, painted and parcel-gilded console tables
Item No. 1126
Pair of Venetian, Rococo period, painted and parcel-gilded console tables

With original Carrara marble tops. Mid-18th century.
Chinese. Ming dynasty, white marble 'Horse and Deer' panel
Item No. 1119
Chinese. Ming dynasty, white marble "Horse and Deer" panel

Late 14th through early 17th century.

15¾" high by 32½" wide
Egyptian, Ptolemaic Period, polychrome-painted wood sarcophagus panel
Item No. 1108
Egyptian, Ptolemaic Period, polychrome-painted wood sarcophagus panel

Brightly painted in ochre, red and black with Nut in profile to the right, wearing a tightly-fitting dress, broad collar and bracelets, a fillet across her forehead with a frontal lotus flower, sun disc above her head, lotus buds and flowers sprouting on either side of her feet and a bunch before her torso.

As a divinity responsible for renewing the sun each day by swallowing the setting sun, Ra, each evening and giving birth to him by her womb in the morning, Nut was regarded as suitable imagery for the underside of the lid of sarcophagi, as this associated the deceased with re-enacting the journey of the Ra between heaven and earth. For further, see I. Shaw and P. Nicholson, British Museum Dictionary of Ancient Egypt, London, 1995, pp.207-208.

Circa 332-30 B.C.

Provenance:

  • Private collection, San Francisco.
  • Anonymous sale; Bonhams & Butterfields, San Francisco, 29 October 2007, lot 1390.
  • with Royal-Athena Galleries, New York (Art of the Ancient World, 2009, no.188).
Published:

  • M. Merrony (ed.), Mougins Museum of Classical Art, Mougins, 2011, p.49, fig.34.

Exhibited:

  • Mougins, Musée d'Art Classique de Mougins, June 2011-2018.
  • Musée d'Art Classique de Mougins, France, acquired from the above.


43¾" high
Ancient Canosan volute krater of large dimension
Item No. 1106
Ancient Canosan volute krater of large dimension

Painted with a warrior mounted upon a horse, the handles tightly curled to resemble the volutes on Ionic columns. The colors used in art of this period inspired the painted frescoes of Pompeii two centuries later.

From Apulia, circa 320 BC (now Italy, but then Greece).

21" high by 12" wide by 10" deep
Ancient Apulian bell krater of large dimension
Item No. 1105
Ancient Apulian bell krater of large dimension

With classical Greek figures in terra-cotta on a painted black background. A bell krater was an ancient Greek vessel sometimes used for diluting wine with water.

From Apulia, circa 320 BC (now Italy, but then Greece).

11" high by 16" wide (at handles)



Antique Painted Furniture - page one of five